Showing posts with label Pastels. Show all posts
Showing posts with label Pastels. Show all posts

Tuesday, 12 April 2011

Restoration Project

As a favour for my good friend Felted House who's having a really difficult year, I agreed to try and restore a pastel picture. This was a picture of her father at some point in his youth, probably dating back 60 years. Unfortunately it had been stored rolled up which had then been crushed and subject to the dreaded mould. Now I'm not a professional restorer, and let's be honest who could afford to have work done by a professional, but generally if you take the least invasive/damaging approach first then hopefully you can effect more good than harm. Artists among you will know that to remove creases, you need to stretch the paper, which involves soaking it and then taping it down to a flat surface and leaving to dry. Because the portrait was done in pastels, this wasn't an option. I decided to gently mist the reverse of the paper with water to dampen it and then taped it down to the table. I did this a couple of times over a few days and it worked quite well. I also covered it over with a sheet of large paper, but this was more to stop my 6 year old 'helping' with the addition of her crayons.
I then had original-looking paper but still the dreaded mould:

It was a bit difficult to make out some of the features due to the spread of fungus and I didn't really want to add any pastel for fear of masking the original artist's style. So very gingerly, I set about with a stiff bristle paint brush ( artist's, that is, not decorator's!) and worked away at the mould.

Here you can see where I've tackled it and which bit is still infected:




        I simply redistributed some of the pastel and it's almost as good as new. Ta da!

There are still some cracks visible, but I don't think that's a bad thing and I even managed to preserve the artist's signature.

Friday, 26 March 2010

Step By Step Pet Portrait

I thought I'd post on my figurative commission work for a change as
a) I've been overloading my blog with my jewellery making obsession
b) I haven't posted on pet portraits before
c) almost every time I get part way into a portrait, I think I've lost the necessary skills, my thinking brain takes over and I'm all set to tear it up. This post will serve to remind me that this nearly always happens and I can usuallly work through it.
My latest commission is of a young black Laborador. Solid colours are often the most difficult to portray & don't even attenpt one unless you have a good photo taken in daylight

I draw an accurate outline onto the paper in pastels. It needs to be extremely accurate - a line 1mm out can change who the picture represents& this is what owners / parents notice.

Next I shade in the darkest shadows with purple and dark blue ( this would differ between colours of dog, but I usually use some kind of blue for the shadows.)

After this I block in the remaining fur with dark grey:

And then go over the whole lot with an even darker grey:

The purple and blue is now being covered, but will still show through enough to tell the unconscious that these are shadows ( Look at shadows on snow to see how much blue is in them).

This is now at the stage where I think I don't know what I'm doing. I start to add some colour for the eyes as this brings the portrait alive for me. This is the only time I add light colours first

Now it's starting to look more like a dog, my thinking brain starts to interfere ( ie- it tells me " noses don't look like that" etc.). If I listen to it, I'm in danger of painting what I think I know, rather than what I see. At this point, I often turn my picture upside down to complete it. This cuts out my thinking brain as it doesn't look like anything and I can simply interpret the shapes from the photo and reproduce them on paper

The first introduction of black contrast with the existing grey to produce highlights and depth. This is enhanced with lighter grey and blue again

The eyes are darkened and the whole thing tidied up.
The final touch is tiny flecks of white on the nose and in the eyes. The black is strengthened and some fur defined:


Some of the blue paper shows through with pastels which helps to unify the picture as a whole

Not a bad likeness - it's a surprise for someone's birthday & I hope she likes it.